In that case you should officially plan out what’s called “deferred compensation.” “It’s not the full amount, but when I raise the budget I’m going to make it up. Because even with friends, things get complicated.” Liang knows that sometimes you can’t pay people right away — that you may have to wait for more money to come in, for the budget to be finalized. Porter started her film career by working as executive producer for various films. Award-winning documentary filmmaker DAWN PORTER – whose work has ... appeared on a U.K. talk show on Tuesday and claimed that First Lady Melania Trump is sometimes “repulsed” by her husband. “I was not in a position to give up my steady income. If you take on a commission project, you can finish your project within a year or two. The three filmmakers who participated in the IFP Week 2020 panel “Blurring the Lines of Storytelling: How Do I Get My Story Out,” moderated by journalist, author and philanthropist Soledad O’Brien, know that all too well. “The reason I’m an independent filmmaker is that no one at ABC News would hire me to be a storyteller. filmmaker Dawn Porter brings Souza’s work to life, drawing a line from his days capturing Reagan to following Obama, reminding us of the dignity and grace that once served 1600 Pennsylvania Avenue. And don’t forget to pay yourself, advised Bradley. Dawn Porter is doing well now; she directed two major docs released this year: John Lewis: Good Trouble and The Way I See It, about former White House photographer Pete Souza. Pay some real hard cast now, then defer the payment to when we make up the budget. “Jump in there and communicate with each other in any way you can in this weird time.”, Click here to read our Fall 2020 issue, featuring this year’s 25 New Faces of Independent Film, Steven Soderbergh on. “I already have a Zoom, I could go out and do it, and it would be so much cheaper to do a podcast.” But her last two features have been about the Asian-American community. on Sep 20, 2020, Dawn Porter, Garrett Bradley, IFP Week 2020, Soledad O'Brien, Ursula Liang. Porter is a graduate of the Bronx High School of Science, Swarthmore College (in 1988) and Georgetown University Law School. [10] Due to the film's potent subject matter on abortion, police were hired to stand guard outside screenings, and to check for weapons at the door. Those things were invaluable.”, But not everyone is lucky enough to land a swanky corporate gig. “Whether or not you have the money to pay people in full, you should have stuff on paper. On one hand, you have the freedom to do what you want, unencumbered by restrictive bosses. But she had to fight for that success. [1], Porter is a graduate of the Bronx High School of Science, Swarthmore College (in 1988) and Georgetown University Law School. “In this Zoom age you can become a kind of chat whore,” Liang said. “The frustration of not having enough power is what drove me forward,” Liang said. “the thing you don’t want to do is leave yourself without options. Porter's second film project was Spies of Mississippi,[3] which debuted on PBS in 2014. She worked at ESPN, making short documentaries about sports. “I’m a big proponent of being able to eat and pay your bills,” Porter said. You can change your choices at any time by visiting Your Privacy Controls. Trapped, Porter's third film, premiered at Sundance Film Festival in 2016. The way I do it takes much longer.”, Then there’s distribution. Porter: I said to her, “I really want to edit this [i.e.The Way I See It] with you,” and what I love is that they are different styles, which I think is kind of cool for both of us.It’s Jessica Congdon, who also made the Dolores movie, which I loved and thought was a beautiful movie. We had to find a way to make sure those things aren’t lost in the process.”, When you work for yourself, you’re also a boss. “I’m happy to say that within a few years I was back to making what I was initially making.” And don’t forget health insurance. The film also won the Ridenhour Award for best documentary film in 2014.

“It’s so often that there are no spaces for us.”, Being independent often requires patience. “I know, for me, it’s going to take a long time to raise the money, that I’ll have to work on it for several years. Even when she got a large grant, it wasn’t the size of her previous income, but it was enough that she felt she was honoring her husband and family. She found it limiting. “That’s a community that doesn’t have a lot of representation onscreen. The film premiered at the Sundance Film Festival in 2013, where it won the festival's "Documentary Editing Award". It shows the impact of anti-abortion laws on abortion providers in the South along with chronicling the last remaining abortion clinic in Mississippi.

She said it “was no accident” that all three independent panelists — the other being director and producer Garrett Bradley” — were women of color. [4] The film also won the Creative Promise Award at the 2013 Sundance Film Festival. It’s really important for this community to have screentime, to unpack some of those ideas and stereotypes with faces. Garrett Bradley’s new doc Time, which follows a woman fighting to free her incarcerated husband, was picked up at Amazon thanks to producer Ted Hope, but she knew she had to work closely with the company to ensure they distributed it in a way she liked. NEW YORK, SEPTEMBER 17, 2020 – The hosts and presenters for the 41 th Annual News and Documentary Emmy ® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). Going independent is a double-edged sword. We actually respond, as human beings, to nuance. She was born in Alexandria, Scotland, but raised in Guernsey. That gives some kind of ownership to the project.”. Early life. That is not a good place to be.”, Sometimes Liang worries that there simply isn’t enough money to make her story into a movie. Find out more about how we use your information in our Privacy Policy and Cookie Policy. That’s been interesting finding that balance between our perception of what’s universal, what’s marketable, and also understanding the reality of us being nuanced human beings. So you just have to do it by yourself,” Porter explained. Our community in particular is fighting against monolithic stereotypes and perpetual immigrant status. To enable Verizon Media and our partners to process your personal data select 'I agree', or select 'Manage settings' for more information and to manage your choices. But she had to fight for that success.

“That was not a story I would have been able to tell with my levels of experience and power within that organization.

This Filmmaker Is Standing Up For Women And Reproductive Rights Documentary Filmmaker Dawn Porter discusses her new film, "Trapped," which takes a closer look at how state legislatures are restricting reproductive rights in the deep south, through the use of TRAP laws. Trained as an attorney, she became a filmmaker and financed her first film with assistance from the Ford Foundation. In a new documentary, “The Way I See It,” (airing on MSNBC on Oct. Dawn Porter is an American documentary filmmaker and founder of production company Trilogy Films. “Every time I think about how much money I have to suffer without or would have to raise to make a film, I think, ‘Oh my god, podcasting would be so much easier,” Liang said. That’s when she considers an alternative medium. See more ideas about Dawn o'porter, Dawn porter, Dawn. “I definitely don’t recommend doing it the way I do it,” Liang said, saying she has to wait for things like funding and finding the right collaborators. [citation needed][11], Learn how and when to remove this template message, Independent Spirit Award for Best Documentary Feature, "Nominees announced for the 35th annual news and documentary Emmy awards", "Spies of Mississippi: Filmmaker Dawn Porter Tells Shocking Story", "Abortion providers secretly arrive at Sundance to support the documentary Trapped", "Chefography, Cooking Channel Alex Guarnaschelli", https://en.wikipedia.org/w/index.php?title=Dawn_Porter_(filmmaker)&oldid=981125055, BLP articles lacking sources from February 2017, Articles with unsourced statements from February 2017, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 September 2020, at 12:38. [3] The title of the documentary was derived from the term TRAP Laws ("Targeted Regulation of Abortion Providers"), which have led to the closure of hundreds of southern US clinics mainly in areas that service poor women and women of color. Dawn Porter is an award-winning documentary filmmaker whose work has appeared on HBO, PBS, Discovery, and Netflix among others. “The reason I’m an independent filmmaker is that no one at ABC News would hire me to be a storyteller. “There are 100 people on this call right now and everyone can connect over chat.” She says she was on another panel a few days before where she screengrabbed an interesting project a stranger was working on, planning to follow up to see how it was progressing. It is 53-minute documentary shot in black and white colour about Mississippi State Sovereignty Commission (MSSC) efforts to preserve segregation during the 1950s and 1960s, including the use of an extensive spy network and violent cover-ups. 16.) Dawn O'Porter (born Dawn Porter; born 23 January 1979) is a British writer, director and television presenter. But even though people meet IRL or schmooze in rooms, that doesn’t mean networking has to end. Click here to read our Fall 2020 issue, featuring this year’s 25 New Faces of Independent Film, Steven Soderbergh on Let Them All Talk and more... by Matt Prigge in Festivals & Events We and our partners will store and/or access information on your device through the use of cookies and similar technologies, to display personalised ads and content, for ad and content measurement, audience insights and product development. In 2009, she executive-produced director Jon Bowermaster's Terra Antarctica, Re-Discovering the Seventh Continent, a 49-minute documentary exploring the Antarctica Peninsula and its evolution. There are always ways to get your story out there, even now. Jan 16, 2019 - Explore Tom Chance's board "Dawn O'Porter", followed by 122 people on Pinterest. The News & Documentary … Then you won’t be able to pursue your art or pay your bills.

Porter's directorial debut was the 2013 documentary film Gideon's Army,[3] about three black public defenders working in the South America. Information about your device and internet connection, including your IP address, Browsing and search activity while using Verizon Media websites and apps. [3], She also produced a biography of Chef Alexandra Guarnaschelli for the Cooking Channel. Man v. Nature in the Galapagos. In 2009, she also co-executive produced two other films: Serious Moonlight, and What Would Darwin Think? “You should really formalize relationships right away,” Liang said. There’s so little representation that every little bit helps.”, There’s also a super-sized elephant in the room, especially noticeable because IFP Week 2020 panels are all being done remotely, over Zoom: The pandemic has completely changed how filmmaking is done. “Under no circumstances should you work for free or ask people to work for free,” she said. [8] The film was written by Rick Bowers and directed by Porter. Eventually she was able to pursue filmmaking full-time.

Before she went indie, Ursula Liang, a director and producer whose documentary Down a Dark Stairwell played this year’s True/False, had a cushy job. Trained as an attorney, she became a filmmaker and financed her first film with assistance from the Ford Foundation.[2]. Knowing the stories I wanted to tell and not seeing them valued in the same way by these large corporations really motivated me personally.” There is a benefit to working for a big company: You get to hone your skills. Porter was lucky to be insured through her husband, but she recommends seeking out other options if you’re an indie filmmaker without such means.

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