Here is an example of this using the minor pentatonic scale: Sequences are not limited to groups of notes, it can also use intervals.

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endobj And today we’re going look at 3 creative ways McCoy Tyner uses the pentatonic scale on the blues…. The Grimoirium contains over 700 pentatonic note sequences based off of the major pentatonic scale and its four associated modes. endobj

But as you can see, in the hands of a musical master the sky’s the limit. Be sure to check out my scale patterns guide to make your own sequences.

endobj Here’s another example that starts on the 5th note of the Bb minor pentatonic scale: The second way McCoy uses the pentatonic scale in this solo is from the 5th of the V7 chord.

No pianist has influenced the modern approach to jazz piano more than McCoy Tyner. McCoy’s left hand is central to the lines he plays in his right, both rhythmically and harmonically.

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/AIS false This results in skipping notes before going back to the next degree. Without the harmonic pull of leading tones or the rigid structure of tertian harmony, every note is essentially equal in relation to the harmony.

This PDF contains the diagrams for all the Major and minor Pentatonic scales in all keys for guitar in standard tuning. Do you have any preferred scale sequences?

Get your hands on as many McCoy solos as you can and see what discoveries you can make on your own!

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8 . To begin, let’s take a look at how he approaches dominant chords with a minor pentatonic scale built from the root. Scale sequences are a great way to learn and use scales. /Width 625

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Additionally, the absence of tertian structure in his voicings allows for more harmonic freedom. << >> In his solo on Blues on the Corner, McCoy Tyner uses the minor pentatonic scale over dominant chords in two specific ways: (1) from the root of the chord and (2) from the 5th of the chord. 6 0 obj It goes up and down the scale. After he hits the open 5th in the bass he is free to any number of harmonic colors or movement with the 4th voicings: The cool thing about using pentatonic scales and patterns in your musical approach is discovering the different intervallic possibilities within those 5 notes…. Remember, this solo is only the tip of the iceberg.

/ColorSpace /DeviceRGB /Type /ExtGState In the line below, McCoy uses a Bb minor pentatonic over Bb7, take a listen: Notice how this scale emphasizes the b3, b7 and 11th of the Bb7 chord in a way that is very similar to traditional blues language or the blues scale. Those iconic 4th and 5th voicings that you hear are perfectly suited for the pentatonic and intervallic lines he plays on top. /Filter /FlateDecode They also help learn someone else’s solos. /Type /XObject Throughout his solo on Blues on the Corner, he utilizes harmonic tension at pivotal points in the progression to create interest in his musical phrases. /Creator (�� w k h t m l t o p d f 0 . It consists of playing a group of three notes before moving to the next scale degree. Also, practicing sequences is one of the most powerful guitar exercises when it comes to improving technicality. Your email address will not be published.

Because of this, you can focus on shapes, cells, and patterns with the notes of the pentatonic scale. Pentatonic Scale Sequence Using Groups of 3 Notes. In this lesson on the pentatonic scale you will learn about patterns and their importance as you continue on the path to learn guitar. If you’ve subscribed to JazzAdvice I’m guessing you’ve learned more than a few options for improvising over V7 chords. This one is a great workout for the picking hand since it is responsible for most of the work. 7)

From players like Chick Corea and Mulgrew Miller to non-pianists like Woody Shaw and Michael Brecker, McCoy has left his mark on generations of serious improvisers. For example, F-7 Bb7 over Bb7. The cool thing about using pentatonic scales and patterns in your musical approach is discovering the different intervallic possibilities within those 5 notes… Unlike the whole and half-step sequence of the major scale, the five notes of the pentatonic scale naturally lend themselves to leaps of minor 3rds, 4ths and 5ths.

The Dorian Mode is a minor type of scale. As you’ll soon learn below, the pentatonic scale can add a wealth of harmonic and melodic possibilities to your solos.

It looks like a method book and can be used as one, but it is better to think of it as a collection of potentia lly useful intervallic sequences* 1 that are designed to be modified to suit the player’s (your ) purposes.

Here is an example of this one using the A minor pentatonic. Start today by reviewing your minor pentatonic scales in every key, then take these concepts and apply them to your practice routine one at a time. It is a very widely used…, The minor pentatonic scale on guitar The minor pentatonic scale is commonly used to play…, The relative minor scale concept is simple yet very powerful and eye opening when you…, […] one can help you generate nice and rapid licks.

pentatonic. Want to Master Rhythm Changes? Well, this concept goes back to the bebop reharmonization technique of approaching the V7 chord as the related minor ii chord, for example thinking F- over Bb7: You can also think of that static dominant chord as the related ii-V7.

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